sechster teil der hervorragenden zusammenstellung the array mit raren titeln aus den bereichen cosmic disco, 80er jahre synthesizer tracks, electro tunes und house-not-house. diesmal mit dabei: disco doubles, moon mood, nuuro, egotrya, daniele baldelli & dj rocca, audio luxury, venice beach, tonbe, u.v.a.

paul oakenfold und perfecto records starteten vor 25 jahren parallel zur blŸte von housemusik, ravekultur und balearicszene. oakenfold stieg auf bis zur nr.1 der dj mag top 100 und wurde ein begehrter topremixer (madonna, u2, happy mondays, justin timberlake, bruno mars) mit drei grammy-nominierungen. fŸr perfecto records entdeckte und veršffentlichte er frŸh acts wie carl cox, david guetta, bt, timo maas und tiesto. vorliegende compilation zeigt die ganze stilistische vielfalt des labels, von ibiza-house bis goa-trance, von progressive bis soul-house, 34 charakteristische tracks in ihren besten mixen. von tophits wie not over yet (grace), finally (cece peniston) und flaming june (bt) bis clubburnern von man with no name, mozaic oder den dope smugglaz

cd with digipack and download code for the instrumental version.

vladislav delays first ambient album in over a decade. sasu ripatti is one of electronic musics most prolific and eclectic producers. throughout the last two decades ripatti has explored every imaginable genre with over 20 albums under aliases such as luomo and sistol. a classically trained percussionist, the finnish native has also performed as a part of the moritz von oswald trio and his own vladislav delay quartet.

nice price !! standard cd album im jewelcase! auf fritz kalkbrenner ist verlass. zuverlŠssig beglŸckt er uns alle zwei jahre mit einem neuen album auf seinem berliner label suol. >ways over water< hei§t das neue, dritte studioalbum und es zeigt einmal mehr, warum fritz kalkbrenner einer der eigenstŠndigsten kŸnstler deutschlands ist.

nearing its first birthday, other people is celebrating the only way it knows how: work. the label has put out new material every sunday since it launched with last years trust compilation, and the culminating work comp doesnt break that streak-consisting almost entirely of new material from other peoples artist roster, and a few remixes from some special guests. work is not, however, an uncooked mash of music.

ministry of sound veršffentlichen die brandneue ausgabe ihrer compilation-reihe ibiza annual! 40 hei§e tracks auf zwei cds von den angesagtesten dance acts & hit-produzenten wie disclosure feat. mary j blige, calvin harris & alesso feat. hurts, dj fresh, chainsmokers, london grammar, tiesto, u.v.a.!

deep, growling static contracts and contracts to a point, pumping out new sounds like solar flares. the pings of a high keyed synth rush by like stars. for harrington, what begins as one ends in many places-every sound is infinite.

on the back of an exciting debut album in 2012 that saw him perform live at sonar festival and later with his band at viennas volkstheatre, before disseminating music on permanent vacation, suol and connaisseur recordings, enigmatic basque country producer el txef a returns with his sophomore longplayer >we walked home together<

from the often indistinct morass of modern hip-hop comes something so singular as to merit special attention wrote the guardian about: brownstudys tell me more about bubble album, released on third ear in 2005. a most soulfully cerebral volume of no-pose wisdom. mojo wrote, musically: brownstudy evokes the clammy, distressed soul of sly stones riot, and the lush visions of 4 hero. life well lived is brownstudys new album. 11 songs (9 lyrical flows and 2 intrumentals).

hakt recordings is pleased to internationally co-release break of lights, the stunning debut cd/lp from french musician and dj harold boue, aka abstraxion.

ibb and obb is a co-op platform game for playstation network and pc developed by sparpweed and codeglue. the game music has been scored by kettel. the complete score turned out so extensive and unique - we believe it is kettels biggest project in terms of time and effort - that the situational in-game music was reworked to an album for release on cd. the album stands on its own and has every quality youd expect from a kettel album. the context for which kettel has crafted this album makes it a piece of art and something truly special. the result is a definitive must have for all kettel aficionados.

for the inaugural house masters release of 2013, we are proud to present a retrospective compilation celebrating the work of one of house musics true originals house masters charles webster! featuring 22 of his productions and remixes the compilation is almost entirely comprised of brand new reedits and remixes and previously unreleased material!

the cd version will come with a 12-page offset-paper booklet by stefan marx. every producers dream is to one day complete and release a full length album.

the compilation, mixed by the talented moxa dj reisdent alex ferrazzi, was created from friendship, empathy, admiration and the mutual respect that binds moxa to all the dj s that have been an integral part of the club. from day one, music was at the heart of every project that the club has been involved in, with the sole support of immense passion for club culture. a considerable amount of that time has been spent trying to create a work that was the exact image of the club. simone piadena.

both known for giving the opportunity to french emerging talents to rise, inrocks lab and because music decided to work together in order to create a necessary take off platform highlighting those artists coming from the online and live scenes. this association aims to release every year a compilation of young artists who represent the future of the french indie-electro scene : the inrocks lab compilation.

zusammengestellt aus den besten teilen dreier eps spiegelt es die ungezŸgelte kreativitŠt dieses von strictly kev zusammengehaltenen multi-produzenten projekts wieder, welches in den 1990er jahren von coldcut gegrŸndet wurde. die wahrscheinlich grš§te †berraschung bei the search engine ist der sound.die assoziationen zum frŸhen jazz breaks-dj food sound werden quasi Ÿberollt von einem psychedelic rock album der allerfeinsten sorte - donnerndes schlagzeug und fuzz bass zusammengebracht mit der dj food-typischen sampletechnik. das album erscheint als sehr smart aufgemachtes digipak mit stilprŠgendem und futuristischem cover design wie man das von dj food, der auch als ninja tune chefdesigner fungiert, gewohnt ist. als gŠste mit von der partie sind u.a. the thes matt johnson, natural self und jg thirlwell (foetus, stereoid maximus)!

only 9 years after its official opening, watergate has become one of the worlds most prominent underground electronic music institutions. in no small part due to its picturesque location running directly alongside the river spree, its wall to wall led dance floor installation and most of all, its consistent flow of first-rate international talent performing every week. watergates presence and influence has spawned many side projects including a boutique-style mix cd series now in its 8th volume. a whoÕs who of the clubs regular talent and resident artists such as sascha funke, sebo k, dop, ellen allien and others have all contributed to the aesthetically pleasing series, now regarded as collectors items. for the eight installment in our mix series, we bridge the gap between two global capitals of techno: berlin, and detroit, home of lee curtiss who delivers a forward-thinking mix, inspired by time spent living in both cities. lee is one of a new generation of techno visionaries from the motor city, that includes his visionquest collaborators ryan crosson, shaun reeves and seth troxler, who are putting their own unique spin on their citys most famous underground musical export. based between detroit and berlin for the last four years, lee has a fundamental grasp of what makes both dancefloors at watergate tick, and this enduring love and understanding of the space clearly shines through in his mix. building on the raw soul and funk of those who have blazed a trail before him, on both sides of the atlantic, lee brings his own subtle melodies and keen sense of dramatic tension to the fore in a mix that encompasses all that is vibrant and exciting about underground techno in 2011

back from mystery city follows a similar blueprint, with the core duo employing a cast of live musicians (including string ensembles, brass ensembles and the prague symphony orchestra) to perform their organic disco compositions. all of the tracks were composed, arranged and produced by maccari and bellentani and recorded in rome in 2010 and 2011.

feat. tracks by omar s, joris voorn, lco dice, jay haze, guti, iron curtis.. balance music presents balance 021 mixed by nic fanciulli. the saved records boss delivers a stunningly intricate mix that highlights his ethos as dj and label owner. cd1, entitled simply balance is a subtle and expertly crafted mix that balances a plethora of diverse tracks, often three at a time, to create an expansive but well focused journey. on cd2, nic showcases the sound and ethos of his own saved records with a collection of records exclusive to the imprint. whilst keeping the focus on quality house music, the mix highlights the diversity within the label with a discernable collection of tracks that straddle various styles, atmospheres and tempos Ð many of which will be available exclusively through balance 021.

bong-ras new album monolith is a new step in pure hybrid electronics. seamlessly mixing all styles with ease. be it metal, drum and bass, hip hop and dubstep. a musical characteristic he has gained international praise for. monolith is divided up into two segments: alpha and omega. alpha are four hiphop-esque colossals featuring the american rapper sole, who has proven himself over the years with his crew and label anticon. omega is the dancefloor orientated part of the album where bong-ra continues with his trademark metalbreaks style which made him remix the likes of bolt thrower and even screamo legends therapy? since 1996 bong-ra has released 5 full length albums, and has released on labels such as djax. planet mu, ad noiseam, kid 606s tigerbeat 6, jason forrests cock rock disco to name a few. the biggest success came with the 2003 album bikini bandits, kill! kill! kill! managing a full rotation with the videoclip 666mph on mtv. bbcs radio 1 dj, john peel, was also a big fan, inviting bong-ra to do a famous john peel session in 2001, and was asked to be part of the peel tribute cd kats karavan containing peels 125 favourite session artists. this cd contained the likes of bob marley, boomtown rats, the jam, pj harvey and bong-ra amongst others. in the last decade bong-ra has played all the big festivals: glastonbury, lowlands, fusion, dour, eurosonic, etc and has toured europe, the us and japan. bong-ra is further known for being one of the pioneers of the breakcore genre. together with artists like venetian snares, shitmat and jason forrest they developed this unique and energetic crossbreed in the early 2000s. with monolith bong-ra continues to pave the way into heavy electronics, always re-inventing and evolving himself with every album. he recently won the dutch 3voor12 award (the largest dutch music platform) for best musician, for his bong-ra and the kilimanjaro darkjazz ensemble projects.

sven kacirek, the much praised multi- instrumentalist from hamburg, releases his third album with pingipung. scarlet pitch dreams presents intimate solo works, following his debut the palmin sessions (2007) and the interna- tional success the kenya sessions (2011), which was honored with german record critics award for the second quarter 2011. whilst the kenya sessions revealed fruitful col- laborations with kenyan musicians, almost every single instrument on scarlet pitch dreams has been played, recorded and produced by sven kaci- rek himself.

for those of us waiting for the next band who will engage our minds, hearts and souls here comes evaline - think radiohead and add in a helping of jane s addiction for energy - with songs full of immediacy and drama that just won t go away and with their high energy live show that has been gathering fans in every city they play.

atlanta, ga. all-girl punk band the coathangers reckless energy from their half-serious roots is every bit as vibrant and rambunctious on their latest album, larceny & old lace. but this time around were hearing a band thats honed their trade and incorporated more stylistic variations. with this broadened artistic horizon, refinement of technique, and ed rawls production allowing every instrument to shine without detracting from the bands natural grit, the coathangers latest offering is easily their best record to date. join the party.

big 3s three-disc set buddy holly & the rock n roll giants devotes two of its discs to buddy s classic recordings and gives the last disc over to the rock n roll giants - a collection of sides from the likes of fats domino, elvis presley, jerry lee lewis, gene vincent, little richard, carl perkins, eddie cochran, bill haley, roy orbison, and the everly brothers that also finds space for bobby charles, johnny burnette, big joe turner, lloyd price, the robins, and tommy scott, among others. not every song selection here is spot-on, either for buddy or for the giants...

the tenth edition of the decibel outdoor festival on saturday the 20th august was more than successful! this anniversary edition was one to remember: nice summery weather, the hottest music, top artists, and excellent atmosphere and a great audience! decibel outdoor festival has become the largest festival in the world for harder styles, with up to 50.000 visitors. with more than 12 arenas, every genre of harder styles spectrum is represented at the festival. this registration with a lot of extras is a must have for your collection.

the best of toolroom records 2011 brings you a selection of this years biggest toolroom releases, from label boss mark knight, tiesto, fedde le grand, funkagenda, michael woods & many more. from miami to ibiza, amsterdam to london, every track has taken over the worlds greatest dancefloors and been essential in the biggest djs sets.

biggest hardstyle anthems ever, 32 of the best festival hardstyle anthems on one compilation. every big festival has their own anthem to promote and here it is: 32 of the biggest hardstyle anthems ever on one compilation. relive your festival feeling once again and get the vibe back. with tracks from headhunterz, wildstylez, showtek, noisecontrollers and many other makes this compilation is an absolute must-have for all hardstyle lovers.

listening through bigfield, its clear why many people consider harald one of the finest producers ofelectronic music today. every single sound is pure perfection, the colors are vivid, the arrangements tothe point yet never less than enigmatic. whats more important is that hes got soul, oceans of it. harald is a true romantic artist, constantly returning to the same themes of nostalgia, understated euphoria and sunshine over snowy landscapes. over the last few years, haraldÕs followers have heard him get closer and closer to the core of his art with every single release. finally, bigfield has arrived -his first true masterpiece, one of those rare albums that will make listeners dance, weep and smile inequal parts.

every summer, a migration takes place that puts mecca to shame. a small island, just of the coast of spain, is the destination of a frenzied crowd of party pilgrims from all over the world. the balearic sounds of ibiza have set the tone for the worldwide dance community for decades and its sizzling club-scene knows no equal. this popular party island isn t just the breeding ground for global summer hits, it also sets the trends for the european clubbin season. after a soothing warm up with one of the warmest springs in recorded history, it s time for the big league. big & dirty house sounds ibiza 2011 is the perfect soundtrack for the hottest season of the year. get yourself a hammock, a tropical cocktail and close your eyes and imagine the perfect ibiza beach club. sun, sea, beaches, blue skies and more images of summer will pass you by while listening to this joyful double album, expertly mixed by mell tierra & essential grooves, two of holland s fastest rising stars in house.

demissions is the album every in-the-know electronica fan has been anxiously awaiting for the last ten years. phoenecia, the duo who put experimental electronic music on the map in the us with their soul oddity releases, their infamous schematic label, their early releases on warp and their brilliant albums brownout & echelon mall, are back with new album destined to be as ageless & influential as any of their previous contributions. what strikes the listener at first is how seamlessly the songs throughout the album integrate acoustic percussion with electronics, most notably on the twelve-minute epic first track two-part invention for bodhran & computer.

the tenth edition of the decibel outdoor festival on saturday the 20th august was more than successful! this anniversary edition was one to remember: nice summery weather, the hottest music, top artists, and excellent atmosphere and a great audience! decibel outdoor festival has become the largest festival in the world for harder styles, with up to 50.000 visitors. with more than 12 arenas, every genre of harder styles spectrum is represented at the festival. this registration with a lot of extras is a must have for your collection.

the album is just a few seconds under an hour long, consists of seventeen tracks and covers every style from wonky reggae through pop-funk, street spitting, straight up hip hop, sung ballads and epic death-disco. it deepens much of what mr manuva has already achieved over a glorious decade of innovation, but also throws in enough new ideas and adventures to last most creative artists a lifetime. we think it is his very best work since run come save me. we re wondering (whisper it) whether it might be his best album ever.

the xxlerator concept has become the longest running hardstyle club night of europe. it is one of the most successful nights hosted by club matrixx, where many well-known hardstyle djs have taken their place behind the decks. this particular club has been at the top of the dutch club scene ever since the doors were swung open 10 years ago. it has understandably been voted as the number one club of the netherlands three times. club matrixx stands for quality and they will no doubt prove it to you once more with an incredible compilation cd. behind the scenes, club matrixx teamed up with one of the biggest hardstyle artists in the world today: ran-d. this man has a large amount of memorable sets at parties like defqon.1, decibel, intents festival, emporium and xxlerator. in addition, his discography displays a high rate of quality and quantity with regards to his productions. ran-d pulled out all the stops to put together this cd. the result is a brutal mix with a perfect combination of raw and euphoric tracks. pure hardstyle will project from your speakers with the sounds of italian hardstyle legend the rebelz, a records and gunz for hire colleague adaro and of course the hottest tunes from noisecontrollers. he also added tracks from other great producers such as: alpha, psyko punkz, coone and crypsis. this album puts every hardstyle lover in the party mood and is a must have for any collection.

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

ex-harry pussy guitarist bill orcutt s 2009 side a new way to pay old debts was an instant classic for those attuned to his brand of stomach-scrapingly raw, hoary blues improvisation. few could have expected the album to be subsequently issued on cd by editions mego, but the more you thought about it the more it made sense - though all-acoustic, orcutt s music is every bit as extreme, violent and threshold-testing as that of, say, florian hecker, russell haswell or mika vainio. as if to prove it wasn t a token gesture towards eclecticism, mego boss peter rehberg has signed a brand new album from orcutt, and what an album it is. for the most part it s in that visceral, coruscating style that he s best known for, all finger-bleeding fretboard assaults that manage to sound at once virtuoso and completely out-of-control, reaching a psychotic climax on the visible bosom: but there are some more reflective passages too, hell, the title track might even be the most chilled thing he s ever recorded. the album was cut at d+m in berlin, which really teases every last drop of blood, sweat and tears out of the recording, which took place at orcutt s home studio in san francisco in spring of 2011. brutal, bludgeoning but incurably romantic, how the thing sings demands your steadfast attention. mind-blowing.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngrŠber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngrŠber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

yuri mendez jr. has an amazing gift for composing good songs. he arranges them and records them brilliantly, and then groups them together on an album in an unpredictable yet cohesive way (his last album had 22 tracks. this one only has 8). uri mŽndez jr. is a true artisan in the best sense of the word. this is pajaro sunrises third album, and although the essentials havenÕt changed (good songs, great songs), the rest has certainly evolved. yuris voice sounds more and more emphatic, and with an extensive register full of nuances, he sings a story in every song. in doing this, he covers a stunning vocal range that dazzles from the first listen. yuri has been playing together with the same fantastic band for some time now. with them, he has rehearsed the tracks (many of which they were already playing in concerts), and then gone into the studio where almost everything was recorded with everyone playing live. the benefits of having a group that has already travelled together, as well as shared stages and life experiences are evident. and, if this disc breathes anything, its travel, highways, and familiar stories stolen from faraway places that also feel nearby. its a grandiose yet intimate album that thrills and grows with each listen.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

have you ever been >motorcitysouled<? matthias vogt and christian >c-rock< rindermann form the deephouse syndicate motorcitysoul. after their debut (did you expect it? / infracom 2004), their mix-cd (back up / infracom 2007), and their last studio album (technique / simple 2008) the two djs and producers present their first selection of remixes that have been released between 2004 and 2010. the >remix< is one of their favourite dishes so its no wonder that more than 30 artists or labels have asked for a motorcitysoul remix treatment since the duo joined forces in 2004. all of their remixes have been regarded as high quality by the media and djs worldwide. so far artists like chez damier, ian pooley, abdullah ibrahim, brett johnson, solomun & stimming, and johannes heil have ordered the extra motorcitysoul polish. motorcitysoul remixes have found their way to labels like cocoon, dessous, freerange, liebedetail and junior boys own/defected. creating a remix is a versatile production practice built around various philosophies - what is the remix meant for? how should it sound? should it be an addition for the club heads or a musical adventure that takes the listener on a journey? every motorcitysoul remix has its own vibe and is meant to respect the idea behind the original track. motorcitysoul merge their trademark sounds and styles with the original track. vogt and rindermann communicate in a musical way with the original artist.

new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut albumthe album will be released on cd and vinyl. both the vinyl and digital release will contain remixes by gui boratto, heiko laux, estroe, gideon, ferreck dawn and mbc. early plays by:luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.